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THE ALLMAN BROTHERS BAND - Play All Night: Live at the Beacon Theatre 1992 (2014)
When Gregg Allman declared to Relix that this, the 45th year of The Allman Brothers Band, will be the last for the Rock-and-Roll Hall of Fame group, he and the current ensemble have partially to thank the incarnation that is featured on Play All Night, Live at the Beacon Theater 1992 in helping to reach such a milestone. Recorded during what would become an annual tradition, an extended Spring residency at the historic New York City venue, Play All Night also saw the return of the late Tom Dowd to the production board, echoing his role in the classic At Fillmore East. Drawing on the best of two nights from the 10-show run, this double-disc album is representative of the septet firing on all cylinders, and a lineup that to date was most reminiscent of the glorious era of its deceased founder Duane Allman.
DISC 1: 01. Statesboro Blues 02. You Don't Love Me 03. End Of The Line 04. Blue Sky 05. Nobody Knows 06. Low Down Dirty Mean 07. Seven Turns 08. Midnight Rider 09. Come On In My Kitchen
DISC 2: 01. Guitar Intro / Hoochie Coochie Man 02. Jessica 03. Get On With Your Life 04. In Memory Of Elizabeth Reed 05. Revival 06. Dreams 07. Whipping Post
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V.A. - Rogues Gallery (2006) & Son of Rogues Gallery (2013) [Pirate Ballads, Sea Songs & Chanteys]
Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. - amazon.com
Not every song sung at sea is a sea shanty. Shanties are work songs designed to be sung to accompany labor on ships at sea, and they are designed to flow and be sung in the rhythm necessary for the task at hand, a task that may well need timed and unison movement. Sea songs, on the other hand, are songs that chronicle life at sea, and they are generally more narrative and personal, while a pirate song is, well, a song about pirates, or a song sung by pirates. All three of these maritime song styles are represented on this two-disc, 36-track collection, which is an expanded sequel to 2006's Rogue's Gallery: Pirate Ballads, Sea Songs & Chanteys, and it's clear that these are songs of utility and personal definition and declaration rather than anything designed to court the pop charts in any fashion. Not that there isn't star power here, because there's plenty of that, but like the first installment, the songs themselves are the true stars. Among the highlights on this fascinating set are Shane McGowan's bleary rendition of "Leaving of Liverpool," Beth Orton's hushed, atmospheric "Bamboo (River Come Down)," a pairing of Tom Waits and Keith Richards on a stirring version of "Shenandoah," and Michael Stipe and Courtney Love's "Rio Grande," along with the only two cuts here that weren't recorded specifically for this project, Frank Zappa's "Wedding Dress/Handsome Cabin Boy" and Marianne Faithfull's "Flandyke Shore," but everything on these two discs fits into the theme and flow.
Download: V.A. - Rogues Gallery - Pirate Ballads, Sea Songs & Chanteys (2006)
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DISC 1:
01. Cape Cod Girls - Baby Gramps
02. Mingulay Boat Song - Richard Thompson
03. My Son John - John C. Reilly
04. Fire Down Below - Nick Cave
05. Turkish Revelry - Loudon Wainwright III
06. Bully In The Alley - Three Pruned Men
07. The Cruel Ship's Captain - Bryan Ferry
08. Dead Horse - Robin Holcomb
09. Spanish Ladies - Bill Frisell
10. Coast Of High Barbary - Joseph Arthur
11. Haul Away Joe - Mark Anthony Thompson
12. Dan Dan - David Thomas
13. Blood Red Roses - Sting
14. Sally Brown - Teddy Thompson
15. Lowlands Away - Rufus Wainwright
16. Baltimore Whores - Gavin Friday
17. Rolling Sea - Eliza Carthy
18. The Mermaid - Martin Carthy & The UK Group
19. Haul On The Bowline - Bob Neuwirth
20. A Dying Sailor To His Shipmates - Bono
21. Bonnie Portmore - Lucinda Williams
22. Shenandoah - Richard Greene
23. The Cry Of Man - Mary Margaret O'Hara
DISC 2:
01. Boney - Jack Shit
02. Good Ship Venus - Loudon Wainwright III
03. Long Time Ago - White Magic
04. Pinery Boy - Nick Cave
05. Lowlands Low - Bryan Ferry
06. One Spring Morning - Family
07. Hog Eye Man - Martin Carthy
08. The Fiddler - Richard Greene
09. Caroline and Her Young Sailor Bold - Andrea Corr
10. Fathom The Bowl - John C. Reilly
11. Drunken Sailor - David Thomas
12. Farewell Nancy - Ed Harcourt
13. Hanging Johnny - Stan Ridgway
14. Old Man Of The Sea - Baby Gramps
15. Greenland Whale Fisheries - Van Dyke Parks
16. Shallow Brown - Sting
17. The Gry Funnel Line - Jolie Holland
18. A Drop Of Nelson's Blood - Jarvis Cocker
19. Leve Her Johnny - Lou Reed
20. Little Boy Billy - Ralph Steadman
V.A. - Son of Rogues Gallery - Pirate Ballads, Sea Songs & Chanteys (2013)
http://www59.zippyshare.com/v/6905040/file.html
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DISC 1:
01. Shane MacGowan - Leaving of Liverpool
02. Robyn Hitchcock - Sam's Gone Away
03. Beth Orton - Bamboo (River Come Down)
04. Sean Lennon w- Jack Shit - Row Bullies Row
05. Tom Waits w- Keith Richards - Shenandoah
06. Ivan Neville - Mr. Stormalong
07. Iggy Pop w- A Hawk and a Hacksaw - Asshole Rules the Navy
08. Macy Gray - Off to Sea Once More
09. Ed Harcourt - The Ol' OG
10. Shilpa Ray w- Nick Cave & Warren Ellis - Pirate Jenny
11. Patti Smith & Johnny Depp - The Mermaid
12. Chuck E. Weiss - Anthem for Old Souls
13. Ed Pastorini - Orange Claw Hammer
14. The Americans - Sweet and Low
15. Robin Holcomb & Jessica Kenny - Ye Mariners All
16. Gavin Friday and Shannon McNally - Tom's Gone to Hilo
17. Kenny Wollesen & The Himalayas Marching Band - Bear Away
DISC 2:
01. Frank Zappa & the Mothers of Invention - Wedding Dress Song-Handsome Cabin Boy
02. Michael Stipe & Courtney Love w Jack Shit - Rio Grande
03. Marc Almond - Ship in Distress
04. Dr. John - In Lure of the Tropics
05. Todd Rundgren - Rolling Down to Old Maui
06. Dan Zanes w- Broken Social Scene - Jack Tar on Shore
07. Katey Red & Big Freedia with Akron-Family - Sally Racket
08. Broken Social Scene - Wild Goose
09. Marianne Faithfull w- Kate & Anna McGarrigle - Flandyke Shore
10. Ricky Jay - The Chantey of Noah and his Ark (Old School Song)
11. Michael Gira - Whiskey Johnny
12. Petra Haden w- Lenny Pickett - Sunshine Life for Me
13. Jenni Muldaur - Row the Boat Child
14. Richard Thompson w- Jack Shit - General Taylor
15. Tim Robbins w- Matthew Sweet & Susanna Hoffs - Marianne
16. Kembra Phaler - Barnacle Bill the Sailor
17. Angelica Huston - Missus McGraw
18. Iggy Pop & Elegant Too - The Dreadnought
19. Mary Margaret O'Hara - Then Said the Captain to Me (Two Poems of the Sea)
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LEO WELCH - Sabougla Voices (2013)
Although the blues and gospel are classified as different kinds of music genres, they aren't mutually exclusive, and like every other kind of vernacular American music, there has always been a lot of cross-pollination going on, and since musicians are musicians, playing secular music in a jook on Saturday night isn't substantially different than taking the same set of riffs into church on Sunday morning, with different lyrics, of course. And even that isn't all that difficult, since singing about loss and singing about redemption are really two sides of the same coin, a part of the same conversation. Leo Welch understands this, and he's had to. Born and raised in Sabougla in the hill country of Mississippi, Welch worked over 30 years in the region's logging camps, spending his nights and days off playing picnics, house parties, and jook joints, developing a raw and urgent electric guitar style that put him in a long line of Mississippi trance guitarists that included R.L. Burnside and Junior Kimbrough. When the blues gigs began to get rarer in the mid-'70s, Welch simply packed up his approach and blues prowess and took them to the churches, developing a style that combined the grit and dirt of Mississippi blues guitar with the passionate urgency of Southern call-and-response gospel, which puts him squarely in the lineage of another great gospel guitarist, Mississippi Fred McDowell. This debut set, released when Welch was 82, is pretty much his church set done up straight with no frills in a recording studio, and it's a stunning and fiery thing to hear. From the relentless opener, "Praise His Name," this is an album of redemptive gospel blues that crackles with urgency, passion, and relentless energy. Welch is no traditionalist, and he has stated that he doesn't have a divisive mind when it comes to either the blues or gospel, enjoying both, and whether one sings about mortal love or God, it's all about longing. This is a marvelous album, a revelation, even, with striking electric stomps like "Somebody Touched Me," which sounds a bit like a raw garage band doing a slowed-down gospel version of Chuck Berry, and delicately balanced acoustic numbers like "Mother Loves Her Children" and "The Lord Will Make a Way" showing that Welch has found a way to make the blues and gospel speak together in one voice. - allmusic.com
TRACKS: 01. Praise His Name 02. You Can't Hurry God 03. Me And My Lord 04. Take Care Of Me Lord 05. Mother Loves Her Children 06. Praying Time 07. Somebody Touched Me 08. A Long Journey 09. His Holy Name 10. The Lord Will Make A Way
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ALBERT CASTIGLIA - Solid Ground (2014)
Rock n roll is a conveyor belt. Every year, another bright young thing, famous for a finger-snap, then forgotten forever. Albert Castiglia has walked a different path. As the man who once sang, The road to riches is playing guitar, thats why Im living inside my car, hes spent two decades climbing the greasy pole and paying dues with interest. Now, Solid Ground is payback. Released in February 2014 as Alberts debut album for Ruf Records, Solid Ground will let the global blues-rock scene discover what the hardcore fans have known from the start. Namely, that here is an artist who sings from the gut, shoots guitar licks from the hip and writes songs that articulate your hopes, fears and heartaches. Solid Ground is my best album to date, says the 44-year-old bandleader, simply. I put more time, love, blood, sweat and tears into this recording than any of the others, and it shows. I love every song on it and Im sure therell be something for everyone to like. Hes right. Recorded at Fat Rabbit Studios in Glen Ridge, New Jersey, this album isnt just solid, its special. There are plenty of thrills in the musical execution, with Albert leading the line on vocals and guitar, backed by the crack team of Matt Schuler (bass/vocals), Bob Amsel (drums), Jeremy Baum (B3/piano/wurlitzer), Lou Bevere (guitar/vocals) and Debbie Davies (guitar/vocals) plus Dave Gross on multi-instrumentation and production. Ultimately, though, the real stars of the sessions are Solid Grounds 14 songs.
TRACKS: 01. Triflin' 02. Keep You Around Too Long 03. Searching The Desert 04. Have You No Shame 05. Put Some Stank On It 06. Love One Another 07. Sleepless Nights 08. Going Down Slow 09. Celebration 10. Hard Time 11. Bad Avenue 12. Sway 13. Little Havana Blues (Arroz Con Mango) 14. Just Like Jesus
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ROCK CANDY FUNK PARTY - Rock Candy Funk Party Takes New York: Live At The Iridium (2014)
A jazz-funk fusion revival supergroup, Rock Candy Funk Party grew out of an instrumental album recorded by drummer and producer Tal Bergman and guitarist Ron DeJesus in 2007 called Grooove, Vol. 1. The pair played several subsequent live dates at the Baked Potato jazz club in Los Angeles, and encouraged other musicians to sit in, and gradually Rock Candy Funk Party came together from these live sessions, finally settling on a lineup of Bergman, DeJesus, bassist Mike Merritt, keyboardist Renato Neto, and, in 2012, guitarist Joe Bonamassa. The band released a debut album under the Rock Candy Funk Party moniker, We Want Groove, in 2013 through Bonamassa's label, J&R Adventures.
"Rock Candy Funk Party Takes New York - Live At The Iridium", a live DVD/Blu-ray package, featuring over 100 minutes of music and a 30-minute documentary, and an exclusive live companion double CD, all filmed and recorded at the legendary Iridium Jazz Club in Times Square, New York City. With its reboot of classic 70s /80s jazz-funk, Rock Candy Funk Party (RCFP) delivers a sound thats as celebratory as the name suggests. Powered by a lineup of world renowned players including album producer Tal Bergman (drums), Joe Bonamassa (guitar), Ron DeJesus (guitar), Mike Merritt (bass), Renato Neto (keys), and Daniel Sadownick (percussion), the band came together for the sheer fun of making music, and a mutual love of genre-blurring grooves.
Rock Candy Funk Party Takes New York - Live At The Iridium features eight live renditions of original tracks from We Want Groove that mash up funk, jazz, and rock with virtuoso musicianship, as well as four cover songs including Mr. Clean (Weldon Irvine), One Phone Call (Miles Davis) and two by Herbie Hancock Heartbeat and Steppin In It.
DISC 1: 01. Octopus-E 02. Work 03. We Want Grooove 04. Heartbeat 05. New York Song 06. Spaztastic
DISC 2: 01. Ode To Gee 02. Dope On A Rope 03. The Best Ten Minutes Of Your Life 04. Steppin' In It 05. Mr. Clean 06. One Phone Call
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ROBBEN FORD - A Day In Nashville (2014)
The follow up to 2013s acclaimed "Bringing It Back Home", "A Day in Nashville" was originally planned as a live album to be recorded during his 2013 European tour. Inspired to write some new music, Robben instead decided to challenge himself and his band by doing something hes never done before in his 40-plus year career: recording an album live in the studio, in one session.
We had a great experience, says Robben, who was joined by guitarist Audley Freed, keyboardist Ricky Peterson, bassist Brian Allen, drummer Wes Little and trombonist Barry Green. We decided to make the record in a controlled environment, but treat it like a live show.
The result is a soul-lifting collection of American roots music by one of the most respected living guitarists. A Day in Nashville ranges from Chicago South Side soul (Midnight Comes too Soon, Cut You Loose), the Michael McDonald co-write, Different People, high-energy R&B (Just Another Country Road) and rural, driving blues (Poor Kelly Blues). - guitarplayer.com
TRACKS: 01. Green Grass Rainwater 02. Midnight Comes Too Soon 03. Aint Drinkin Beer No More 04. Top Down Blues 05. Different People 06. Cut You Loose 07. Poor Kelly Blues 08. Thump And Bump 09. Just Another Country Road
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PETER WOLF - Midnight Souvenirs (2010)
The first album in eight years from the J. Geils Band singer proves nothing can kill Wolf's charm, musicality and youthfulness. Wolf is the passionate impresario of his own musical world, sharing his love of classic country, soul and R&B with anyone who cares to listen. His enthusiasm is contagious on a series of duets: "The Green Fields of Summer" is a striking acoustic song where Wolf and Neko Case exude stark, autumnal beauty, and "It's Too Late for Me," is a lighthearted country lullaby about growing old that could have been written in 1955, with Wolf and Merle Haggard sounding like old running buddies quietly congratulating themselves for outracing the sunrise yet again. Midnight Souvenirs, Peter Wolf's seventh solo album is a continuation of the singer-songwriter's distinctive and eclectic tales that brighten and interpret a world gone noir. Following in the tracks of Wolf's Sleepless, which was honored by Rolling Stone Magazine as one of the '500 greatest albums of all-time,' the new collection gives hope to the love-wounded and promises "there's still time for the midnight wine," even if "sometimes you heal, sometimes you're scarred."
TRACKS: 01. Tragedy 02. I Don't Wanna Know 03. Watch Her Move 04. There's Still Time 05. Lying Low 06. The Green Fields Of Summer 07. Thick As Thieves 08. Always Asking For You 09. Then It Leaves Us All Behind 10. Overnight Lows 11. Everything I Do (Gonna Be Funky) 12. Don't Try To Change Her 13. The Night Comes Down (For Willy Deville) 14. It's Too Late For Me
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JOHN SEBASTIAN - Faithful Virtue: The Reprise Recordings (2001)
It is impossible to think of the music of the 1960s without thinking of The Lovin Spoonful. And it is impossible to think of The Lovin Spoonful without thinking of John Sebastian. Sebastian, Zal Yanovsky, Steve Boone and Joe Butler formed The Lovin Spoonful in Greenwich Village in New York. Over several precious years, they produced several precious albums that yielded songs that both kept them in the Top Ten and, it would turn out, kept their delicious lyrics and melodies a part of our stream of musical consciousness for more than 30 years. What is remarkable, however, is that John Sebastian's solo albums for Reprise Records are every bit as wonderful as anything in his entire recorded oeuvre. For fervent proof of this, we are proud to offer our new collection of the five particularly wonderful albums he recorded for Reprise between the years 1969 and 1976, which we are calling Faithful Virtue: The Reprise Recordings. Faithful Virtue: The Reprise Recordings collects all five of his Reprise albums. The 1970 John B. Sebastian debut, 1971's Cheapo Cheapo Productions Presents Real Live and The Four Of Us (with the side-long epic "The Four Of Us" suite), Tarzana Kid from 1974 and his final Reprise album, 1976's Welcome Back. In addition, we have included both sides of his non-LP 1972 "Give Us A Break" single and, for the first time anywhere, his complete five-song performance from the original 1969 Woodstock Music And Art Fair in Bethel, NY. Rhino Handmade only issued 3,000 copies of this 3-CD box set. - allmusic.com
DISC 1: 01. Red Eye-Express 02. She's a Lady 03. What She Thinks About 04. Magical Connection 05. You're a Big Boy Now 06. Rainbows All Over Your Blues 07. How Have You Been 08. Baby, Don't Ya Get Crazy 09. The Room Nobody Lives In 10. Fa-Fana-Fa 11. I Had a Dream 12. Mobile Line (Gonna Carry Me Away from the Bull Frog Blues) 13. Lovin' You 14. Fishin' Blues 15. Younger Girl 16. Did You Ever Have to Make Up Your Mind 17. Rooty-Toot 18. In the Still of the Night 19. Teen Angel 20. Blue Suede Shoes 21. Ballad of a Teenage Queen 22. Nashville Cats 23. Waiting for a Train 24. My Gal 25. Younger Generation 26. Darling Be Home Soon 27. Blues for Dad and Jb's Happy Harmonica 28. Amy's Theme
DISC 2: 01. Goodnight Irene 02. Well, Well, Well 03. Black Snake Blues 04. I Don't Want Nobody Else 05. Apple Hill 06. Black Satin Kid 07. We'll See 08. Sweet Muse 09. The Four of Us 10. Give Us a Break 11. Music for People Who Don't Speak English 12. Sitting in Limbo 13. Friends Again 14. Dixie Chicken 15. Stories We Could Tell 16. Face of Appalachia 17. Wildwood Flower 18. Wild About My Lovin' 19. Singing the Blues 20. Sportin' Life 21. Harpoon
DISC 3: 01. Hideaway 02. She's Funny 03. You Go Your Way and I'll Go Mine 04. Didn't Wanna Have to Do It 05. One Step Forward, Two Steps Back 06. Welcome Back 07. I Needed Her Most When I Told Her to Go 08. A Song a Day in Nashville 09. Warm Baby 10. Let This Be Our Time to Get Along 11. How Have You Been 12. Rainbows All Over Your Blues 13. I Had a Dream 14. Darling Be Home Soon 15. Younger Generation 16. Sitting on Top of the World 17. Magical Connection 18. You're a Big Boy Now 19. I Found a Dream 20. Daydream 21. Younger Girl
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PACO DE LUCIA - Antologia (1995)
Paco de Luca (21 December 1947 26 February 2014) was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he was one of the first flamenco guitarists who has also successfully crossed over into other genres of music such as classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Luca as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Luca as "one of history's greatest guitarists". De Luca was noted for his innovation and colour in harmony and his remarkable dexterity, technique, strength and fluidity in his right hand, capable of executing extremely fast and fluent picados. A master of contrast, he often juxtaposes picados with rasgueados and other techniques and often adds abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional Flamenco and the evolution of New Flamenco and Latin jazz fusion from the 1970s. In 2004, he won the Prince of Asturias Awards in Arts and in 2010, was awarded an honorary doctorate by Berklee College of Music in Boston. Since 2004 he has greatly reduced his live performances in public, has retired from full touring, and now typically only gives several concerts a year, usually in Spain and Germany and at European festivals during the summer months. In 2005, he was nominated for producer of the year by the Latin Grammy Award for La Tana's Tu, Ven a Mi album.
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JOHNNY WINTER - True To The Blues: The Johnny Winter Story (2014)
This new 4-CD box set includes 57 tracks spanning Winters entire major-label career from 1968 to the present day (his most recent album having been released in 2011). Though the two-time Grammy Award nominee is looking back with this comprehensive retrospective, hes still very much an active artist, and will mark his birthday with a special February 23 performance at New Yorks B.B. Kings Blues Club and Grill. When Johnny Winter was signed to CBS Records in February 1969, the sum paid to him was a record for a solo signing to the label: $600,000.00. Winter, who hailed from Texas, represented the vanguard of American blues-rock. Jimi Hendrix was riding high in 69 with his psychedelic blues, and the idiom had been co-opted by any number of British guitar-slingers, too, but Winter brought his own virtuosic sound. Like his brother and frequent collaborator Edgar, Winter was born with albinism, and encouraged from an early age to immerse himself in music. Winter found an affinity with the great bluesmen, something that translated to his gutsy, howling, soulful reinterpretations of classic blues standards. Plenty of those can be sampled on True to the Blues. The chronologically-sequenced (in order of recording, not release) box draws from 27 albums originally released on labels including Liberty/Imperial, Columbia, Blue Sky/Epic, Alligator, Point Blank/Virgin, Friday Music, Collectors Choice Music, Megaforce and Legacy.
True to the Blues arrives two days after Winters 70th birthday, and roughly 55 years after he started wowing crowds with his guitar prowess. Releasing his first single at the age of 15, Winter was off and running; by the late 60s, hed signed with Columbia Records, kicking off a long association that endured into the 80s. Cuts from Winters Columbia releases are rounded up for the box, as well as recordings from later in his career all in all, True to the Blues collects 57 tracks from 27 albums, including some previously unreleased performances.
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DISC 1:
01. Bad Luck And Trouble
02. Mean Town Blues
03. Mike Bloomfield's Introduction Of Johnny Winter (Live)
04. It's My Own Fault (Live)
05. I'm Yours And I'm Hers
06. Mean Mistreater
07. Dallas
08. Be Careful With A Fool
09. Leland Mississippi Blues (Live At The Woodstock Music & Art Fair)
10. Memory Pain
11. Highway 61 Revisited
12. Miss Ann
13. Hustled Down In Texas
14. Black Cat Bone (Live)
15. Johnny B. Goode (Live)
DISC 2:
01. Eyesight To The Blind (Live)
02. Johnny Winter's Intro (Live)
03. Prodigal Son (Live)
04. Mean Mistreater (Live)
05. Rock And Roll, Hoochie Koo
06. Guess I'll Go Away
07. On The Limb
08. It's My Own Fault (Live)
09. Jumpin' Jack Flash (Live)
10. Good Morning Little School Girl (Live)
11. Mean Town Blues (Live)
DISC 3:
01. Still Alive And Well
02. Rock Me Baby (Album Version)
03. Rock & Roll
04. Rollin' 'cross The Country
05. Hurtin' So Bad
06. Bad Luck Situation
07. Self Destructive Blues
08. Sweet Papa John
09. Rock & Roll People
10. Harlem Shuffle (Live)
11. Bony Moronie (Live)
12. Roll With Me (Live)
13. Tired Of Tryin'
14. Tv Mama
15. Walkin' Thru The Park
16. I Done Got Over It
DISC 4:
01. One Step At A Time
02. Honest I Do
03. Nickel Blues
04. Talk Is Cheap
05. Wolf In Sheep's Clothing
06. Bon Ton Roulet
07. Don't Take Advantage Of Me
08. Master Mechanic
09. Mojo Boogie
10. Stranger Blues (Live)
11. Illustrated Man
12. Hard Way
13. Highway 61 Revisited (Live)
14. Maybellene
15. Dust My Broom
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EDDIE HARDIN - Hardin & York with Charlie McCracken (1974) -You Can't Teach An Old Dog New Tricks (1977)
Born on February 9th, 1949 in South London, Hardin's first big break came in 1967 when, aged just 18, he joined the legendary Spencer Davis Group. Dubbed 'the singing keyboard wunderkind', Hardin soon made his presence felt in this mega star-outfit and appeared on the UK hit singles "Time Seller" (No. 30) and "Mr. Second Class" (No. 35). By mid-1968, and with the band's star on the descent, Hardin left with the group's drummer Pete York to form the duo, Hardin & York. Signing to Bell Records, the pair released the album, "Tomorrow Today" and undertook numerous tours of mainland Europe, and in particular Germany, where they regularly filled medium-sized venues and also supported the likes of The Nice and Deep Purple. Two further Hardin & York LPs followed: "Smallest Big Band In The World" and "For The World" before the pair decided to go their separate ways and pursue solo ventures.
Hardin's solo career kicked off with November 1971's "Driving"/"Where I'm Going To SleepTonight" single which was swiftly followed by the 1972 LP "Home Is Where You Find It" and another single, "Why Does Everybody Put Me Down"/"Spend Your Money Honey". He then put his solo attempts on hold when he took part in the 1973 reformation of the Spencer Davis Group where he was again reunited with Pete York. The reunion lasted for just two LP's "Gluggo" and "Living In R Back Street", before the band again split up. Hardin along with York and bassist Charlie McCracken then formed Hardin-York-McCracken and released one critically acclaimed self-titled LP, in 1974, for Vertigo Records.
Following this, Hardin worked with Roger Glover on "Butterfly Ball" and "Wizards Convention" LPs before again attempting a solo career with the singles "S'Easy"/"Strange Times" and "Summer Days"/"Seems I'm Always Going To Love You" and the album "You Cant Teach An Old Dog New Tricks". Beetween 1979 and 1981, he led Axispoint, who also featured bassist Charlie McCracken, drummer Rob Townsend and guitarist John 'Charlie' Whitney, and who released two LP's "Axispoint" and "Boast Of The Town". Following the demise of Axispoint, Hardin stayed with RCA for 1982's "Circumstantial Evidence" LP and then teamed up with Zak Starkey to work on a musical version of "Wind In The Willows" which also featured Donovan and John Entwistle.
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Hardin & York with Charlie McCracken (1974):
01. Ain't No Breeze
02. Back Row Movie Star
03. Freedom
04. Wish I'd Never Joined A Band
05. Clubtrop
06. Some Sweet Dream
07. Loving You's So Easy
You Can't Teach An Old Dog New Tricks (1977):
08. Oh What A Day It's Been
09. Strange Times
10. Drinking
11. Glad To Be Home
12. Moving
13. S'easy
14. Give Me Freedom
15. Think I'll Wait Another Day
16. Settling Down
17. Here There And Everywhere
18. Bet You All Wish It Was Sunday
19. Credit Card City
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JOE LOUIS WALKER - Hornet's Nest (2014)
With the vast majority of musicians, by the time they get a couple of decades under their belt and two dozen albums into a career if they're talented, driven, and lucky enough to get that far the artist begins to run out of gas, creatively, struggling to find their muse. As for blues guitarist Joe Louis Walker, not only is he finding new ways of expressing himself nearly 30 years after the release of his debut album, both lyrically and musically Hornet's Nest sounds like Walker has a full tank of gas and he's ready to roll!
Following up on his acclaimed 2012 album Hellfire, Walker returned to Nashville, the new blues Mecca, to once again record with talented producer, musician, and songwriter Tom Hambridge (Buddy Guy, James Cotton). Working with the same firecracker studio band that helped make Hellfire such an unqualified success guitarist Rob McNelley, bassist Tommy MacDonald, and keyboardist Reese Wynans, with Hambridge on drums Walker spanks the amps on a dozen rock-solid performances, including nine original songs that run the gamut from old-school blues to British blues-rock, and even a fine gospel moment.
TRACKS: 01. Hornet's Nest 02. All I Wanted To Do 03. As The Sun Goes Down 04. Stick A Fork In Me 05. Don't Let Go 06. Love Enough 07. Ramblin' Soul 08. Ride On Baby 09. Soul City 10. I'm Gonna Walk Outside 11. Not In Kansas Anymore 12. Keep The Faith
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JOHNNY WINTER - True To The Blues: The Johnny Winter Story (2014) - ONLY SCANS!
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DEEP PURPLE - The Now What! Live Tapes (2013)
The 12 live songs have been recorded in Rome, Milan, Gaevle and Aalborg. The live material has been carefully mixed to reflect the sounds and the emotions that came out of the speakers every night. 100% live, 100% real.
"Now What!", the 19th studio album from Deep Purple, was released in North America on April 30 2013. via earMusic, the Hamburg, Germany-based international rock label which is part of Edel Group. After various songwriting sessions in Europe, the band recorded and mixed the album in Nashville, Tennessee with producer Bob Ezrin (Kiss, Pink Floyd, Peter Gabriel, Alice Cooper, Kansas). The CD contain 11 tracks, including "Out Of Hand", "Weirdistan", "Uncommon Man" and "Above And Beyond". The latter song references the band's late keyboard player, Jon Lord, in the lyric "Souls having touched are forever entwined."
DISC 1: 01. Strange Kind Of Woman 02. Hard Loving Man 03. Vincent Price 04. Contact Lost 05. All The Time in The World 06. No One Came 07. Bodyline 08. Perfect Strangers 09. Above And Beyond 10. Lazy 11. Black Night 12. Smoke On The Water
DISC 2: 01. First Sign Of Madness 02. MTV 03. The Well-Dressed Guitar 04. Space Truckin' 05. Green Onions / Hush
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FREDDIE KING - Complete King Federal Singles (2012)
Of the three blues Kings, Freddie King often gets overshadowed by B.B. and Albert, so he's in need of a collection like Real Gone's 2013 The Complete King & Federal Singles, a two-disc set that rounds up all his greatest work. Sitting alongside these classics, songs so firmly embedded in our consciousness he sometimes doesn't get the credit he deserves -- songs like "Have You Ever Loved a Woman,""Hideaway,""San-Ho-Zay!,""The Stumble,""I'm Tore Down" -- there are singles where Freddie rode the wave of what was popular. He tried to dance "The Bossa Nova Watusi Twist," he flirted with a bit of funk, he got slick and greasy toward the end of the '60s, never winding up with chart success but never embarrassing himself. All this is documented on The Complete King & Federal Singles, a set that digs deeper than any collection outside of the comprehensive Bear Family boxes, but it's easier to digest and, for many, it will be preferable for that very reason. Also, it's not only easy to hear the arc of King's career; it's also easier to appreciate his brilliant highs, his stinging yet robust leads, and his full-throated vocals. All the major hits are here, of course, the songs that such guitarists as Eric Clapton copied, but what makes this so absorbing is hearing how King remained a forceful, compelling presence even when he was attempting to cash-in on trends. That's not so evident on either the early single-disc Rhino collection or the Bear Family set. By distilling King to his '60s singles, it's possible to hear all of his dimensions -- his influence, his force, his versatility -- and realize that he is every bit the titan that B.B. and Albert are.
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FREDDIE KING - Freddie King Is A Blues Master (1969) [Deluxe Edition 2014]
Freddie King was one of three blues giants with the surname King along with B.B. and Albert who were all unrelated. Freddie was a forceful presence and formidable figure in two of the most prominent blues scenes. In the state he was born in (and to which he eventually returned), he was known as the Texas Cannonball. For much of the Fifties and early Sixties, he was a Chicago blues legend, particularly on the citys West Side. Revered by his fans and respected by his peers, King was best-known for his searing, assertive solos and dynamic showmanship. King had numerous disciples in the rock world, including British guitarists Eric Clapton, Peter Green (cofounder of Fleetwood Mac and an alumni of John Mayalls Bluesbreakers), Mick Taylor (another Mayall alumni and member of the Rolling Stones), and Stan Webb (leader the blues-rock band Chicken Shack). In 1966, Eric Clapton covered Hide Away on Blues Breakers, his lone album with John Mayall.
In the late Sixties, King changed the spelling of his first name from Freddy to Freddie. He subsequently recorded for Cotillion, Shelter (Leon Russells label) and RSO Records. His two albums for Cotillion, Freddie King Is a Blues Master (1969) and My Feeling for the Blues (1970), were produced by sax player King Curtis.
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SCOTT H.BIRAM - Nothin But Blood (2014)
The Dirty Old One Man Band Scott H. Biram is back with his ninth studio album titled Nothin' But Blood. This is his first release since his blues heavy 2011 album, Bad Ingredients. This record is a bit more diverse showcasing his wide range of styles which jumps from blues to country to metal to gospel and back again. Nothin' But Blood has something that will please any Biram fan.
This record is all over the place when you consider the various styles of Scott H. Biram. You've got heavy rock tracks like "Only Whiskey", the punk inspired "Church Point Girls" and even an instrumental which goes into sludge and stoner metal territory titled "Around The Bend". In fact, "Around The Bend" might be the heaviest thing Biram has ever recorded and it is awesome.
TRACKS: 01. Slow & Easy 02. Gotta Get To Heaven 03. Alcohol Blues 04. Never Comin' Home 05. Only Whiskey 06. Jack Of Diamonds 07. Nam Weed 08. Backdoor Man 09. Church Point Girls 10. I'm Troubled 11. Around The Bend 12. Amazing Grace 13. When I Die 14. John the Revelator
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BECK - Morning Phase (2014)
Beck Hansen, known by the stage name Beck, is an American musician, singer-songwriter and multi-instrumentalist. Morning Phase is the twelfth studio album by American musician Beck. The album was released in February 2014 through his new label, Capitol Records. According to a press release, Morning Phase is a "companion piece" to his 2002 album Sea Change, and "harkens back to the stunning harmonies, song craft and staggering emotional impact of that record, while surging forward with infectious optimism." Several of the musicians who recorded parts for Sea Change returned to record for Morning Phase.
Morning Phase received critical acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 82 (based on 43 reviews), indicating "universal acclaim.
TRACKS: 01. Cycle 02. Morning 03. Heart Is A Drum 04. Say Goodbye 05. Blue Moon 06. Unforgiven 07. Wave 08. Don't Let It Go 09. Blackbird Chain 10. Phase 11. Turn Away 12. Country Down 13. Waking Light
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MIKE OLDFIELD - Man On the Rocks (2014)
Virgin EMI are delighted to announce Mike Oldfield's first album of new material since 2008. Featuring 11 brand new tracks, "Man On the Rocks" is a deeply personal song-based album that reflects many of Mike's different influences. Recorded in the Bahamas, Mike's 25th studio album has been produced by Mike with legendary British producer Stephen Lipson (Jeff Beck, Paul McCartney, Annie Lennox). Man On The Rocks features players such as legendary bassist Leland Sklar (Phil Collins, Crosby, Stills & Nash, James Taylor) and drummer John Robinson (Michael Jackson, Eric Clapton, Daft Punk).
Although Oldfield has worked with some of the world's most famous vocalists in the past, here he has found an incredible young talent to interpret his words, Luke Spiller from the Struts. Its working title, 'Rock' emphasises the album's directness, heard especially on the guitar-driven 'Irene', inspired by the category 3 hurricane that hit the Bahamas in 2011. However, it is as you would expect from the man who gave the world Tubular Bells and so much more besides an album of great variance and contrast; from the commercial punch of opening track, Sailing, to the beautiful folk-influenced Dreaming In The Wind to the emotional gravitas of its closer, a cover of William McDowells gospel song, I Give Myself Away.
TRACKS: 01. Sailing 02. Moonshine 03. Man On The Rocks 04. Castaway 05. Minutes 06. Dreaming In The Wind 07. Nuclear 08. Chariots 09. Following The Angels 10. Irene 11. I Give Myself Away
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PETER GREEN - Little Dreamer (1980) [Original recording remastered, 2005]
When Peter Green issued Little Dreamer in 1980, it was the second straight year he had released an album after a nine-year gap. Fairport Convention drummer Dave Mattacks must have wondered what he had gotten himself into because the opener, "Loser Two Times," ais almost as close to disco as the Rolling Stones got with "Miss You." Green continues in a funky vein with "Mama Don't You Cry," as if shaking off the cobwebs and actually trying to pay attention to the current scene. He goes right back to his roots on the album's third tune with "Born Under a Bad Sign" and stays with blues derivatives the rest of the way. The album-ending title track sounds like a seven-minute version of the dreamy Green tune "Albatross," a hit for Fleetwood Mac in the '60s. Sounding more confident than on his comeback album, he seems more like the Greeny of old, although the move toward funk didn't really suit him. - cduniverse.com
TRACKS: 01. Loser Two Times 02. Momma Don'tcha Cry 03. Born Under A Bad Sign 04. I Could Not Ask For More 05. Baby When The Sun Goes Down 06. Walkin' The Road 07. One Woman Love 08. Cryin' Won't Bring You Back 09. Little Dreamer
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